Renoir Colour Library

Renoir Colour Library by William Gaunt, published by Phaidon Press on August 12, 1998, offers an insightful exploration into the life and work of Pierre-Auguste Renoir, a pivotal figure in the Impressionist movement. This New Ed edition spans 128 pages and is presented in English, providing readers with a comprehensive overview of Renoir’s artistic journey, his friendships with fellow artists like Monet, and his enduring passion for figure painting alongside landscape.
In this expanded version of Gaunt’s original essay from 1962, Kathleen Adler enhances the text with notes on the plates and a variety of black-and-white comparative illustrations. Readers will find a detailed examination of Renoir’s optimistic approach to art, characterized by vibrant depictions of Parisian life and leisure. The book highlights notable works such as Moulin de la Galette and The Luncheon of the Boating Party, offering a rich context for understanding Renoir’s legacy and his philosophy of painting for pleasure.
Official synopsis Publisher
Pierre-Auguste Renoir (1841-1919) was one of the founders of Impressionism and a friend of Monet, Pissarro and Sisley. He worked side-by-side with Monet on the banks of the Seine, sharing his concern with light and colour, but landscape painting never displaced his enduring love of figure painting. A natural heir to the delicacy of Boucher, Watteau and Fragonard. Delighting in the ample curves of the nudes he painted increasingly frequently in his later years, Renoir was also a master at capturing the spirit of Parisian life. His art is filled with optimism -his lifelong philosophy was that he painted because it gave him pleasure, and he shares that pleasure with those who see his work. It is almost always summer in his pictures, and in paintings like Moulin de la Galette, The Dance at Bougival and The Luncheon of the Boating Party he gives us an enduring record of contemporaries relaxing and enjoying their leisure.
In this expanded version of William Gaunt’s illuminating essay on Renoir (first published in 1962), Kathleen Adler has added notes to the plates and a wealth of black-and-white comparative illustrations, to make this the perfect introduction to the life and work of an extraordinary artist.
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