Interpreting Bach’s Well-tempered Clavier A Performer’s Discourse of Method

Interpreting Bach’s Well-tempered Clavier A Performer’s Discourse of Method by Ralph Kirkpatrick, published by Yale University Press in 1984, offers a detailed exploration of the author’s theories on music interpretation. This first edition, comprising 132 pages, presents Kirkpatrick’s insights into the preludes and fugues of J.S. Bach’s Well-Tempered Clavier, reflecting his extensive knowledge and experience as a prominent harpsichordist.
Readers will find a thorough examination of Kirkpatrick’s methods and approaches to understanding music, particularly in relation to piano and keyboard techniques. The book emphasizes the importance of musicianship and provides valuable insights into the analysis and performance of Western music, with a focus on Bach’s work. Through this discourse, Kirkpatrick aims to enhance the comprehension of both performers and students of music.
Official synopsis Publisher
This book sets forth the provocative theories of a musician who has been called the outstanding harpsichordist of this century. The late Ralph Kirkpatrick reveals here his approach to a deeper comprehension of music, showing how his methods are applied to the preludes and fugues of the Well-Tempered Clavier of J.S. Bach. “This book is brilliant and important.”-Clavier “All keyboardists performing classical repertoire can greatly benefit from Kirkpatrick’s scholarship, dry wit, and stubborn dedication.”-Keyboard “That Mr. Kirkpatrick’s extraordinarily perceptive mind knew the subject matter thoroughly is beyond dispute. . . Valuable insights into the analysis, teaching and performance of all Western music, especially Bach’s monumental Well-Tempered Clavier.”-Arthur Lawrence, The American Organist “We are fortunate to have this book by Ralph Kirkpatrick. . . From it we gain insight into the musical mind of one of the outstanding performers of our century.”-The Music Review “The real matter of the book is good old-fashioned musicianship.”-Denis Arnold, London Review of Books
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