Picturing Algeria

Picturing Algeria by Pierre Bourdieu, published by Columbia University Press on May 15, 2012, is an illustrated volume that presents a unique perspective on the Algerian War (1954-1962) through the lens of a soldier’s experiences. This edition features 256 pages and is written in English, showcasing Bourdieu’s extensive photographic documentation of the Algerian people’s struggles and resilience during a tumultuous period. The book combines 130 photographs with key excerpts from Bourdieu’s writings, many of which have rarely been translated into English, offering insights into the complexities of colonial aggression and resistance.
Readers will find that this work not only highlights the abject conditions faced by the Algerian people but also emphasizes their dignity and resourcefulness. Bourdieu’s photographs serve as both aesthetic objects and critical commentary, enriching the understanding of his sociological and ethnographic explorations. The volume also includes a 2001 interview with Bourdieu, where he reflects on his experiences in Algeria and the transformative role of photography in social inquiry. Through this collection, Bourdieu’s pioneering approach to ethnographic photography and critique is clearly articulated, making it a significant contribution to the fields of social science and anthropology.
Official synopsis Publisher
As a soldier in the French army, Pierre Bourdieu took thousands of photographs documenting the abject conditions and suffering (as well as the resourcefulness, determination, grace, and dignity) of the Algerian people as they fought in the Algerian War (1954Ð1962). Sympathizing with those he was told to regard as Òenemies,Ó Bourdieu became deeply and permanently invested in their struggle to overthrow French rule and the debilitations of poverty. Upon realizing the inability of his education to make sense of this wartime reality, Bourdieu immediately undertook the creation of a new ethnographic-sociological science based on his experiencesÑone that became synonymous with his work over the next few decades and was capable of explaining the mechanics of French colonial aggression and the impressive, if curious, ability of the Algerians to resist it. This volume pairs 130 of BourdieuÕs photographs with key excerpts from his related writings, very few of which have been translated into English. Many of these images, luminous aesthetic objects in their own right, comment eloquently on the accompanying words even as they are commented upon by them. BourdieuÕs work set the standard for all subsequent ethnographic photography and critique. This volume also features a 2001 interview with Bourdieu, in which he speaks to his experiences in Algeria, its significance on his intellectual evolution, his role in transforming photography into a means for social inquiry, and the duty of the committed intellectual to participate in an increasingly troubled world.
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