Processing of Visible Language

Processing of Visible Language by Paul A. Kolers, published by Springer US on April 30, 2013, is a softcover reprint of the original 1st edition from 1980, comprising 616 pages. This book presents the proceedings of the second symposium on processing visible language, highlighting a diverse mix of participants and a greater focus on the design of language, its historical development, and practical questions related to machine implementation. The work aims to bridge the fields of graphic design, engineering, and psychology, fostering discussions on the display and acquisition of visible language.
Readers will find a collection of papers that emphasize the interplay between textual and pictorial aspects of language. The symposium included sessions on writing systems, covering topics from ancient Egyptian writing to modern Korean and English shorthand, as well as discussions on nontextual media and pictorial communication. The contributions reflect a blend of perspectives from psychologists, graphic designers, and engineers, making the content accessible and relevant across disciplines. This edition serves as a comprehensive resource for those interested in the cognitive psychology of language processing and the interactions between humans and technology.
Official synopsis Publisher
The second symposium on processing visible language constituted a different “mix” of participants from the first. Greater emphasis was given to the design of language, both in its historical development and in its current display; and to practical questions associated with machine-implementation oflanguage, in the interactions of person and computer, and in the characteristics of the physical and environmental objects that affect the interaction. Another change was that a special session on theory capped the proceedings. Psychologists remained heavily involved, however, both as contributors to and as discussants of the work pre sented. The motivation of the conferences remains one of bringing together graphic designers, engineers, and psychologists concerned with the display and acquisition of visible language. The papers separately tended to emphasize the one of the three disciplines that mark their authors’ field of endeavor, but are constructed to be general rather than parochial. Moreover, within the three disciplines, papers emphasized either the textual or the more pictorial aspects. For example, a session on writing systems ranged from principles that seem to characterize all such systems to specific papers on ancient Egyptian writing, modern Korean, and English shorthand. The complementary session on the nontextual media opened with a discussion of general principles of pictorial communication and included papers on communicating instructions, general information, or religious belief through designs and other pictorial forms, as well as a discussion. of misrepresentation.
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