Robert Maguire & Keith Murray

“Robert Maguire & Keith Murray” by Gerald Adler, published by RIBA in 2012, offers an insightful exploration into the architectural contributions of Robert Maguire and his partnership with Keith Murray. This edition, comprising 206 pages, delves into their innovative designs, particularly in the realm of religious architecture during the 1960s and ’70s. The book highlights Maguire’s early work as a student and his significant role in the liturgical reform movement, emphasizing the need for modern settings for worship.
Readers will discover how Maguire and Murray’s practice combined the intellectual rigor of New Brutalism with the warmth of Scandinavian design. The text examines their reimagining of church architecture and their influence on educational buildings, such as Bow Common school and Stag Hill Court student houses. Richly illustrated with archival drawings and new photographs, this work situates their influential studio within the evolving landscape of post-war architecture, capturing the transition from Brutalism to the more technologically driven designs of the 1970s and the Romantic Pragmatism of the 1980s.
Official synopsis Publisher
Robert Maguire was still a student at the Architectural Association in London in the early 1950s when he designed his first church. A committed Christian and enthusiast for contemporary design, he was a leading figure in the liturgical reform movement that sought to find an appropriate, modern setting for worship. His design for St Paul, Bow Common in London’s East End was the first such church to be built in Britain, and was followed by a remarkable series of churches and other religious buildings in England in the 1960s and ’70s designed together with the silversmith and designer Keith Murray, with whom he went into partnership in the late 1950s.
The practice was famous for pursuing the intellectual and architectural toughness of the New Brutalism with the humanity and warmth of the Scandinavian tradition. They completely rethought the design of churches, and went on to reinvent the typology of both the school and of student accommodation. Bow Common school revolutionised open plan layouts, and Stag Hill Court student houses for the University of Surrey set new standards in communal living with its finely judged mix of privacy and community.
Gerald Adler places this small but highly influential studio within the changing context of post-war architectural practice, where the Brutalism of the 1950s gave way to the more technologically oriented architecture of the 1970s, and the so-called Romantic Pragmatism of the 1980s. The book is richly illustrated with drawings from the office archive, in addition to new photographs.
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