Before the Dawn

The Arayana are an indigenous people descended from an ancient empire living contentedly in the remote mountain forests. With scant knowledge of the outside modernising world they cling to their ancestral traditions and seek to pass on the wisdom of their elders undisturbed. Before the Dawn is their story, a story of drama, intrigue, foreboding, and the painful invasion of a group consciousness, beautifully rendered by landscape painter Rupert Copping. Although told entirely from their point of view this is no patronising post-colonial ‘innocence to experience’ yarn nor is their world an idyllic Eden in some virginal state before the Fall. Copping explores the complexities of tribal life through four main characters; a chief, his wife, his mistress, and a disgraced elder. Much of what they seek to protect seems no less dark and cruel than the ways of the outside world – but it is their sphere. The forces that swirl around and seep into their isolated enclave are complicated and circuitous, pitting native, invader, revolutionary and reactionary against each other. Copping takes the reader from the dark cave of ancient ritual to the mindless carnage of the ‘Radiant War’ – mirroring the psychological journey that the Arayana must take. With stark guerrilla brushstrokes and fresh environmental impetus he tells the age-old story of conquest and loss.