Siena, Florence, and Padua: Interpretative essays

Siena, Florence, and Padua: Interpretative essays, edited by Norman, is a first edition published by Yale University Press in January 1995. This 260-page volume explores the artistic legacy of these three significant centers of early Italian Renaissance art and civic culture, focusing on their shared commitment to enhancing their cities through painting, sculpture, and architecture.
The book features eleven papers that re-examine the artistic developments of the 14th century, placing various works of art within their broader cultural, social, and religious contexts. Contributors discuss topics such as the influence of patrons on art, the rise of painting exemplified by Giotto, and the methods of building trades. This scholarly work provides insights into the interplay between art and religion following the Black Death, as well as new ideas and evidence regarding the trecento period, making it a valuable resource for those interested in European art history.
Official synopsis Publisher
Siena, Florence and Padua were all major centres for the flowering of early Italian Renaissance art and civic culture. The three communities shared a common concern for the embelishment of their cities by means of painting, sculpture and architecture. The eleven papers in this volume re-examine and re-assess the artistic legacy of the three cities during the 14th century amd locate the various works of art considered within their broader cultural, social and religious contexts. Contributors include: D Norman (Patrons, politics and art) ; C Harrison (Giotto and the `rise of painting’) ; C King (The arts of carving and casting) ; T Benton (The building trades and design methods) ; D Norman (Art and religion after the Black Death) ; C King (The trecento: New ideas, new evidence) .
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