Getting a Handel on Messiah
Getting a Handel on Messiah by David W. Barber, published by Sound and Vision in 1994, offers an engaging exploration of Handel’s renowned oratorio, MESSIAH. This 95-page book presents a collection of entertaining facts and insights that reveal lesser-known aspects of the work, including its origins and the motivations behind its composition. Written in English, this edition invites readers to delve into the history and context of this classical piece.
Readers will find a blend of humor and music history as they uncover intriguing details about MESSIAH, such as its first performance in London and the original title of the famous “Hallelujah” chorus. The book focuses on the individual composer and musician, providing a unique perspective on Handel’s life and the circumstances surrounding his work. With its lighthearted approach, this volume serves as both an informative resource and an enjoyable read for those interested in classical music and its history.
Official synopsis Publisher
Most everyone has heard Handel’s MESSIAH. Maybe you’ve actually performed it. But if you thought you knew all about the great composer’s famous oratorio, it may surprise you to learn that Handel composed the work solely for money; its first performance was in London; the “Hallelujah” chorus originally had a different name. These and many more entertaining facts await your discovery in this delightful volume.
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