Huncke A Poem & Paintings

Huncke A Poem & Paintings by Rick Mullin is a second edition published by Exot Books on May 15, 2020, featuring 138 pages in English. This edition revisits the original narrative, enhancing many stanzas while maintaining the core themes. The poem uses Herbert Huncke as a framework to explore American social issues, art, and history, and includes the addition of a previously lost canto.
Readers will find an epic narrative that presents a multifaceted view of its titular character, who serves as an inspiration to the Beat Poets. The poem unfolds in a medieval form, weaving through various dimensions of memory, history, and contemporary dialogue. It creates an immersive world that reflects on the interplay between life, politics, and art, inviting readers to engage with its rich tapestry of characters and themes.
Official synopsis Publisher
Originally published in 2008, this second edition of Huncke is a reconsideration. Many of the stanzas have been improved with care taken to keep the original narrative on track. That narrative, which uses Herbert Huncke as a scaffold for a gloss on American social issues, art, and history, has been extended with the “discovery” of a lost canto.
“An epic narrative poem where time is a many-layered thing, Huncke is a world-in-a-poem, where its titular hero/anti-hero, inspiration and name-giver to the Beat Poets, and low-life/high-life, infamous, indefinable, freewheeling rebel-without-a-category icon appears in many dimensions: in memory, in history, in the here-and-now, in poetry, in dialogue with “angels” and “ghosts”, in holographic animations, in real and fictitious characters of every stripe, all contained within the constraints of a medieval form (ottava rima to the cognoscenti) that creates the sense of a forest or a feast of cantos winding their way, stoned-soul fashion, through haunted catacombs or buzzing “red-yellow” honeycombs, an underground world that all begins at a poetry reading attended by Mullin himself.
This is clearly not the sort of poetry that “molders in the stacks / of storage rooms,” but the kind that actively creates a world whose ecosystem can’t help but stimulate a heightened awareness of the interaction between life, politics, and art; an ecosystem that also contains, for your reading pleasure a funhouse, where you will definitely get deliriously lost.” (Siham Karami)
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