After the Fire, a Still Small Voice

After the Fire, a Still Small Voice by Evie Wyld, published by Jonathan Cape in September 2009, is a literary exploration of personal reinvention and the lingering shadows of the past. This edition spans 208 pages and is presented in English. The narrative follows Frank, who relocates to a coastal shack once owned by his grandparents after a tumultuous relationship, seeking to escape his violent history and reconnect with a sense of normalcy. In this small community, he attempts to forge new friendships, including one with a young girl named Sal, while grappling with the memories that haunt him.
The story also intertwines the life of Leon, a child of European immigrants in Sydney, whose experiences during the 50s and 60s shape his understanding of conflict and identity. As Leon navigates his family’s struggles, including his father’s involvement in the Korean War and his own conscription in Vietnam, he dreams of a peaceful life by the sea. Set against the backdrop of eastern Australia, the book delves into themes of father-son relationships, the impact of war, and the unspoken emotions that define masculinity. Through its vivid portrayal of the landscape and the characters’ internal battles, this debut novel invites readers to reflect on the complexities of communication and connection.
Official synopsis Publisher
After the breakdown of a turbulent relationship, Frank moves from Canberra to a shack on the east coast once owned by his grandparents. He wants to put his violent past and bad memories of his father behind him. In this small coastal community, he tries to reinvent himself as someone capable of regular conversation and cordial relations. He even starts to make friends, including a precocious eight year old named Sal. But it is not that easy for him to let go of the past. Leon is the child of European immigrants to Australia, living in Sydney. His father loves Australia for becoming their home when their own country turned hostile during the Second World War. His mother is not so comforted by suburban life in a cake shop. As Leon grows up in the 50s and 60s, his watches as his parents’ lives are broken after his father volunteers to fight in the Korean War. Leon himself goes from working in the shop, sculpting sugar dolls for the tops of wedding cakes, to killing young men as a conscripted machine-gunner in Vietnam. In the fall out from the war, Leon thinks he might be able to make a new life with his woman, make a baby, live by the sea in a small shack. But something watches from the cold shade of the teeming bush. Set in eastern Australia with its dark trees and blinding light, where the land is old but its wounds are still wet, this beautifully realized debut tells a story of fathers and sons, their wars and the things they will never know about each other. It is about the things men cannot say out loud and the taut silence that fills up the empty space.
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