Van Gogh, Arles, Murder
“Van Gogh, Arles, Murder” by Maurice Beale, published by iUniverse in 2010, is a historical fiction novel that intertwines factual and fictitious events surrounding the life of Vincent Van Gogh during his time in Arles in March 1888. This edition spans 308 pages and is presented in English. The narrative explores Van Gogh’s artistic journey while introducing a cast of previously unnamed locals, culminating in a dramatic turn when a young girl, whom Van Gogh is drawn to, is found murdered, leading to his own entanglement in the investigation.
Readers will find a blend of mystery and historical context as the story unfolds, focusing on the pressures faced by Van Gogh from a relentless police inspector and the townspeople of Arles. The plot delves into themes of crime and the psychological turmoil of the artist, reflecting on aspects of his personality and the societal issues of the time. Through this lens, the book offers insights into the life of Van Gogh and the complexities of human relationships, drawing parallels to contemporary challenges.
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Beginning with his arrival in Arles in March 1888, a combination of factual and fictitious events relating to Vincent Van Gogh are revealed while the Dutchman goes about creating timeless works of art. A number of drawings and paintings of previously unknown locals are finally afforded names and backgrounds. Prominent amongst these is a portrait of a young girl to whom the artist is especially attracted. When she is found murdered, suspicion falls on Van Gogh. Harassed by both a tireless police inspector and a majority of the citizens of Arles, the painter descends into the madness and despair, culminating in his slicing off part of an ear while remaining sufficiently lucid to identify – and paint – the man he suspects of the crime. Circumstances and characters pertaining to the murder define aspects of Van Gogh’s personality, as well as portraying a way of life in nineteenth century France remarkably similar to present day problems in the USA.
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