Old World Romances

Old World Romances by Edgar Allan Poe, published by 1st World Publishing in September 2004, is a collection that delves into themes of fiction, romance, and literary criticism. This edition spans 108 pages and is presented in English. The narrative unfolds against the backdrop of a devastating plague known as the “Red Death,” which ravages the land, leading the Prince Prospero to retreat with his courtiers into a fortified abbey, seeking refuge from the horrors outside.
Readers will encounter a vivid portrayal of the prince’s attempts to escape the grim reality of the pestilence through lavish festivities and the company of friends. The story explores the stark contrast between the opulence within the abbey and the chaos beyond its walls, highlighting the human desire for pleasure amidst despair. This edition invites readers to reflect on the interplay of life, death, and the pursuit of joy in the face of inevitable tragedy.
Official synopsis Publisher
Purchase one of 1st World Library’s Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG – – THE “Red Death” had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal – the redness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress and termination of the disease, were the incidents of half an hour. But the Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys. This was an extensive and magnificent structure, the creation of the prince’s own eccentric yet august taste. A strong and lofty wall girdled it in. This wall had gates of iron. The courtiers, having entered, brought furnaces and massy hammers and welded the bolts. They resolved to leave means neither of ingress or egress to the sudden impulses of despair or of frenzy from within. The abbey was amply provisioned. With such precautions the courtiers might bid defiance to contagion. The external world could take care of itself. In the meantime it was folly to grieve, or to think. The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. Without was the “Red Death.”
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