Self as Image in Asian Theory and Practice
Self as Image in Asian Theory and Practice by Roger T. Ames, published by SUNY Press on April 30, 1998, is a comprehensive exploration of the concept of self within the contexts of Chinese, Japanese, and Indian cultures. This first edition spans 473 pages and delves into the intricate relationship between self and image, highlighting its significance in understanding these diverse cultures. The book examines how this relationship manifests through various representational practices and symbolic media, including literature, cinema, art, and dance.
Readers will find a detailed analysis of both classical and contemporary works that illustrate the complexities of self and image across Asia. The authors aim to deepen the understanding of these cultures by exploring how self-perception and representation vary significantly among them. This volume serves as a scholarly resource for those interested in social science, anthropology, and philosophy, providing insights into the historical and cultural dimensions of identity in Asia.
Official synopsis Publisher
This is the third in a series dealing with the concept of self and its importance in understanding Chinese, Japanese, and Indian cultures. The authors examine the relationship between self and image and its significance in attaining a deeper knowledge of Chinese, Japanese, and Indian cultures.
The relationship between self and image is as complex as it is fascinating. It takes on different meanings and significances in diverse cultures. In this volume, the focus of attention is largely on representational practices and symbolic media, such as literature, cinema, art, and dance. By examining both classical and contemporary works associated with China, India, and Japan, the authors seek, on the one hand, to demonstrate the intricate relationship between self and image and, on the other, to make use of that relationship to further our understanding of these cultures.
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