Russian Culture Under Putin

“Russian Culture Under Putin” by Eliot Borenstein, published by Bloomsbury Academic on December 12, 2024, explores the transformation of Russian media and culture throughout the 21st century. This 144-page text examines the shift from a period of relative freedom in the media prior to Vladimir Putin’s rise to power in 2000 to the suppression of independent voices by the time of the 2022 invasion of Ukraine. Borenstein analyzes various aspects of Russian culture, including the cult of personality surrounding Putin, the portrayal of national identity in the media, and the impact of nostalgia and patriotism on contemporary society.
Readers will find a detailed examination of the complexities of Russian culture under increasing authoritarianism, highlighting the struggles of opposition figures and the absurdist tactics employed in response to restrictions on free speech. The book delves into themes such as the fight against ‘gay propaganda’ and the challenges of envisioning a future amidst a backdrop of aggressive nationalism. Borenstein’s work presents a nuanced view of the cultural landscape, illustrating how the evolution of Russian society has been marked by improvisation rather than a singular, orchestrated agenda.
Official synopsis Publisher
This timely text charts the metamorphosis of Russian media and culture in the 21st century. It considers how, when Vladimir Putin came to power in 2000, Russia’s media and culture industry had enjoyed nearly a decade of almost unrestricted freedom and yet, by the time he launched his illegal invasion of Ukraine in 2022, Russia’s independent media was crushed, while the few viable opposition figures were either imprisoned, exiled, or dead under mysterious circumstances.
Eliot Borenstein looks at the manufactured cult of Putin, the competing models of Russianness put forth in the media, the obsession with nostalgia and the limits on imagining the future, the rise of aggressive patriotism and the myth of ancient Russian ‘traditional’ values, the significance of the fight against ‘gay propaganda’, and the absurdist strategies used by the opposition in the face of increasing restrictions on free speech. Though the book’s title invokes Putin, Russian Culture under Putin does not cast the Russian leader as an all-knowing genius pursuing a master plan. The culture of the past twenty years, both official and independent, has been largely improvisational. 21st-century Russia, as Borenstein demonstrates so masterfully, has not been frog-marched into unfreedom, but has in fact lurched back and forth on a dimly-lit path.
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