The Sixth Seal
The Sixth Seal by Mary Wesley, published by Dent Children’s in 1984, presents a unique narrative set in a post-apocalyptic world. This edition spans 187 pages and is written in English. The story follows Miriam, her 13-year-old son Paul, and his friend Henry as they navigate a drastically changed landscape after a mysterious disaster has decimated much of the population. The trio encounters a variety of survivors, including a grave digger and two skating champions, as they adapt to their new reality in the English countryside.
Readers will find a blend of quirky humor and thoughtful exploration of survival in this novel. The characters engage in daily life amidst the remnants of civilization, employing inventive methods for travel and communication. The narrative captures the challenges and absurdities of rebuilding a community while maintaining a sense of normalcy. With its focus on the interactions among a diverse group of survivors, The Sixth Seal invites reflection on the nature of human resilience and the creation of new social bonds in the face of adversity.
Official synopsis Publisher
Product Description
After a mysterious apocalypse destroys the world, the few survivors must learn how to coexist in desperate times.
From Publishers Weekly
British novelist Wesley ( A Sensible Life ; the YA fantasy Haphazard House ) brings a quirky and graceful sensibility to this tale set in the English countryside in the near future. An unspecified disaster has wiped out much of the world’s population, and Miriam, her 13-year-old son, Paul, and his best friend, Henry, find that most of their human and animal neighbors have been reduced to fly-away piles of fur, wool, feathers and hair, occasionally accompanied by sets of dentures. These three establish contact with a nearby abbey and set up house with a motley gang of survivors (including two skating champions, the village grave-digger and an upholsterer with a soft spot for thieves). In cool, meticulous prose, the author imagines the nitty-gritty of daily life after the apocalypse. Travel, for example, is difficult but not impossible: rollerskating is one way of getting about, and so is a leap-frogging method of changing cars, finding a new vehicle whenever the road is blocked by wreckage. Though subject matter and setting call to mind Peter Dickinson’s Changes trilogy, this quietly satisfying novel is not so much high adventure as it is a meditation on what it means to create one’s own world. Ages 12-up.
Copyright 1993 Reed Business Information, Inc.
About the Author
Mary is the author of nine other novels.
From Library Journal
This postapocalyptic novel is an unusual study in contrasts; set far enough in the future for the Beatles to be a distant memory but written before personal computing and other technology are commonplace. Unnatural global incidents end in a devastating storm that leaves only hair and false teeth in its wake. However, people and animals trapped underground emerge unharmed. Among those are Muriel Wake, her 13-year-old son, Paul, and Paul’s friend Henry. Their search for other survivors nets them a motley crew including two Australian figure skaters, a local grave digger, and a Soviet submarine crew. Retaining some sense of normalcy is the grand goal. Carole Boyd, a popular BBC radio actress, admirably proves her skill with a variety of British, Australian, and Indian accents. Even the children are recognizably different from one another. Boyd paces the story well and allows the tension and foreboding to build. The ending is a true surprise. Highly recommended.
Jodi L. Israel, Westwood, Mass.
Copyright 1994 Reed Business Information, Inc.
From School Library Journal
Grade 6-8-Another enigmatic tale from the author of Haphazard House (Overlook, 1993), this was originally published in England in 1984 as a revised version of a 1969 story. After news reports of plague, famine, and oddly colored snow in various parts of the world, Muriel, her son Paul, and his best friend wake one morning to find that nearly all other life in their rural community has vanished. As they slowly join other survivors-a gravedigger, three monks, the crew from a Yugoslavian submarine, and several more-it becomes clear that some, though not all, were saved by being underground (the author makes no great effort to explain the exceptions). The boys adapt easily to their new life, dashing off to loot stores and explore neighboring towns, and Muriel, grieving over the recent death of her husband, copes ably but numbly with hers. They go to London, a bedlam where heavily armed survivors are desperately killing one another; they barely escape. Except for this episode, the story has a peaceful, gently humorous air created by deft dialogue, many Briticisms, and a quirky cast. The ending, however, may leave readers confused. Wesley implies that the disaster, which remains unexplained, was neither natural nor manmade, and signals some sort of vast but puzzlingly undefined epiphany in Muriel. Next to books such as John Christopher’s Emp
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