Flaming Lips’ Zaireeka
Flaming Lips’ Zaireeka by Mark Richardson, published by Bloomsbury Publishing USA in January 2010, offers a detailed exploration of the unique 1997 album by The Flaming Lips. This edition spans 114 pages and is presented in English. The book examines the unconventional nature of Zaireeka, which consists of four CDs designed to be played simultaneously, challenging traditional music consumption methods and emphasizing communal listening experiences.
Readers will find an in-depth analysis of the album’s creation, including insights from Wayne Coyne, as well as discussions on the implications of its format in the context of music history and criticism. Richardson’s study delves into themes such as the “death of the album” and the complexities of art-rock, providing a multifaceted perspective on a record that has left a significant mark on both the band and the landscape of adventurous music.
Official synopsis Publisher
Zaireeka is the anti-headphone and the anti-mp3. It purposely makes the two biggest developments in end-user music in the last 30 years irrelevant. Zaireeka is not mobile. It is not personal. It is not solitary, cannot be easily controlled, and can’t easily be consumed in small doses. So another way to think of Zaireeka is as a one-off piece of technology that comes in a highly inconvenient dead-end format.
The Flaming Lips’ 1997 album Zaireeka is one of the most peculiar albums ever recorded, consisting of four CDs meant to be played simultaneously on four CD players. Approaching this powerful and complex art-rock masterpiece from multiple angles, Mark Richardson’s prismatic study of Zaireeka mirrors the structure the work itself. Thoughts on communal listening and the “death of the album” are interspersed with the story of the Zaireeka’s creation (with assistance from Wayne Coyne) and an in-depth analysis of the music, leading to a complete picture of a record that proved to be a watershed for both the band and adventurous music fans alike.
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