The Woman’s Labour
The Woman’s Labour by Mary Collier, published by Renard Press Ltd in 2021, is a significant work that addresses the historical context of women’s labor in the 18th century. This edition, comprising 64 pages, presents Collier’s response to Stephen Duck’s poem, which dismissed women as idle. Through her writing, Collier reframes the narrative of labor, offering a woman’s perspective on the challenges faced by working-class women.
Readers will find that this edition not only includes The Woman’s Labour but also features Duck’s original poem, The Thresher’s Labour, along with additional works such as ‘The Three Wise Sentences’ and an elegy for Duck. The collection highlights themes of feminism and social justice, providing insight into the intersection of gender and class in historical poetry. This thoughtful compilation invites readers to engage with the broader conversation surrounding women’s roles in society and the literary landscape of the time.
Official synopsis Publisher
Eighteenth-century poetry was dominated by men of education and wealth, and bookcases sagged under the weight of volumes by Swift, Johnson and Pope. When Stephen Duck’s The Thresher’s Labour was published in 1730, however, it was a sensation – highlighting the plight of the working class in verse was hereto simply unthought of.
Duck’s poem came to the attention of Mary Collier, a washerwoman working in Hampshire, who was astounded to read Duck’s dismissal of women as work-shy layabouts who indulged in ‘noisy prattle’, and she penned a stinging riposte, The Woman’s Labour, which reframed Duck’s relation of harvest-time toil from a woman’s perspective.
This edition of The Woman’s Labour seeks to give a wider view of the conversation, and includes The Thresher’s Labour, ‘The Three Wise Sentences’ (which Collier included in the first publication of her reply), ‘An Epistolary Answer to an Exciseman Who Doubted Her Being the Author’ and the elegy she wrote for Stephen Duck after he died.
‘Collier’s writing… represents an instance of resistance to oppression both gendered and class-based.’ — Donna Landry The Muses of Resistance
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