The Old Wives’ Tale

The Old Wives’ Tale by Arnold Bennett is a novel first published in 1908 and reissued by Bibliotech Press on August 9, 2019. This edition spans 434 pages and is presented in English. The narrative follows the lives of two sisters, Constance and Sophia Baines, as they navigate their experiences from youth in their mother’s draper’s shop to their later years, covering a period of approximately 70 years from 1840 to 1905, with settings in Burslem and Paris.
Readers will find a detailed exploration of the sisters’ contrasting lives and the changes they undergo over decades. The story delves into themes of aging and the passage of time, reflecting on the complexities of personal transformation. Bennett’s inspiration for the novel stemmed from a chance encounter in a Parisian restaurant, which sparked his contemplation of the profound changes that accompany aging. This edition offers a classic perspective on human experiences and relationships, making it a significant work within the realm of fiction.
Official synopsis Publisher
The Old Wives’ Tale is a novel by Arnold Bennett, first published in 1908. It deals with the lives of two very different sisters, Constance and Sophia Baines, following their stories from their youth, working in their mother’s draper’s shop, into old age. It covers a period of about 70 years from roughly 1840 to 1905, and is set in Burslem and Paris. It is generally regarded as one of Bennett’s finest works.
Bennett was initially inspired to write the book by a chance encounter in a Parisian restaurant. In the introduction to the book, he says
…an old woman came into the restaurant to dine. She was fat, shapeless, ugly, and grotesque. She had a ridiculous voice, and ridiculous gestures. It was easy to see that she lived alone, and that in the long lapse of years she had developed the kind of peculiarity which induces guffaws among the thoughtless.
and
I reflected, concerning the grotesque diner: “This woman was once young, slim, perhaps beautiful; certainly free from these ridiculous mannerisms. Very probably she is unconscious of her singularities. Her case is a tragedy. One ought to be able to make a heartrending novel out of the history of a woman such as she.” Every stout, ageing woman is not grotesque–far from it!–but there is an extreme pathos in the mere fact that every stout ageing woman was once a young girl with the unique charm of youth in her form and movements and in her mind. And the fact that the change from the young girl to the stout ageing woman is made up of an infinite number of infinitesimal changes, each unperceived by her, only intensifies the pathos.
Bennett also found inspiration in Maupassant’s novel Une Vie. (wikipedia.org)
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