Student Companion to Eugene O’Neill

Student Companion to Eugene O’Neill by Steven Fredric Bloom, published by Bloomsbury Academic on June 30, 2007, offers a detailed exploration of the works of the only American dramatist to receive the Nobel Prize for Literature. This edition, comprising 205 pages, delves into eight of O’Neill’s most studied plays, including The Hairy Ape and Long Day’s Journey Into Night. The book highlights how O’Neill’s innovative approach challenged the conventions of his time and contributed to the evolution of modern American theatre.
Readers will find guides that illuminate the autobiographical elements in O’Neill’s works, reflecting his complex relationships and struggles with addiction. The volume examines the themes of human behavior and the internal and external forces that shape lives, making it a valuable resource for students and scholars of American drama and literary criticism. This comprehensive companion serves as a significant tool for understanding O’Neill’s impact on the theatrical landscape.
Official synopsis Publisher
Eugene O’Neill is the only American dramatist ever to have received the Nobel Prize for Literature. He wrote over 50 plays; a number are virtually unknown by the general public; several are considered classics of the American stage; all of them demonstrate, in one way or another, how O’Neill challenged the conventional boundaries of the drama of his time and thereby paved the way for modern American theatre. This volume will provide guides to eight of O’Neill’s plays that are most often studied in schools and colleges: The Hairy Ape, Anna Christie, The Emperor Jones, Desire Under the Elms, Ah, Wilderness!, The Iceman Cometh, Long Day’s Journey Into Night, and A Moon for the Misbegotten. More than almost any other author in any fictional genre, O’Neill’s works are highly autobiographical. The love/hate relationships he had with the members of his own family resonate throughout his dramatic works. The son of an alcoholic and a morphine addict, he struggled with chemical dependency throughout his life, but determined to be an artist or nothing, he eventually gave up drinking and fulfilled his artistic ambitions, transforming the traumatic experiences of his life into compelling drama. O’Neill’s drama provides insights into the complexities of human behavior and raises questions about the forces, both external and internal, that shape human lives.
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