Copyright and Mass Digitization

Copyright and Mass Digitization by Maurizio Borghi, published by OUP Oxford on March 21, 2013, explores the intersection of law and technology in the context of mass digitization. This 200-page book examines how the digitization of texts, images, and other creative works enhances access to culture and knowledge while raising significant legal and policy challenges. It develops a conceptual framework addressing how mass digital projects confront established copyright norms, particularly through practices like wholesale copying and automated processing.
Readers will find a thorough analysis of the implications of these practices on copyright law, including the risks of legal uncertainty and the potential for new monopolies on information. The book adopts a cross-jurisdictional perspective, questioning the normative and policy implications of the evolving copyright landscape. It outlines a new regulatory framework informed by existing legal concepts of consent in data use, arguing that digital repositories should be treated as public goods for future generations. This edition provides a detailed examination of the complexities surrounding copyright in the digital age, making it a significant contribution to discussions on intellectual property and communications.
Official synopsis Publisher
Mass digitization of texts, images, and other creative works promises to unprecedentedly enhance access to culture and knowledge. With the electronic ‘library of Alexandria’ having started to materialize, a number of legal and policy issues have emerged. The book develops an extended conceptual account of the ways in which mass digital projects challenge the established copyright norms through the wholesale copying of works, their storage in cloud environments, and their automated processing for purposes of data analytics and text mining. As individual licensing is not compatible with the mass scale of these activities, alternative approaches have gained momentum as effect of judicial interpretation, legislative initiative and private-ordering solutions. This book queries the normative and policy implications of this newly emerging framework in copyright law. Adopting a cross-jurisdictional perspective, it concludes that lack of clarity as to the scope of authorial consent does not only bear the risk of legal uncertainty, but can also lead to the creation of new and not readily transparent monopolies on information and knowledge. In this respect, a new regulatory framework is outlined drawing from the insights developed in areas of law where the concept of consent in the use of data has been thoroughly elaborated. Illustrating how mass digitization unveils a number of unsettled theoretical issues within copyright, the book builds a sophisticated case that digital repositories in the mass digital age should be and remain fully-fledged public goods to the benefit of future generations.
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