Handbells

Handbells by Trevor S. Jennings, published by Shire in 1989, offers a detailed exploration of the history and development of handbells as musical instruments. This 32-page book, written in English, delves into the origins of portable bells in Asia and their evolution over the centuries, highlighting their role in daily life and the advancements made by bellfounders after 1700 that enhanced their musical quality.
Readers will find a comprehensive overview of the various types of handbells, their manufacturing processes, and their uses in entertainment, education, and therapy. The book also touches on the formation of handbell-ringing societies in the 19th century and their ongoing tradition in Britain and North America. Through its informative content, this edition provides insights into the cultural significance of handbells and their enduring appeal in music.
Official synopsis Publisher
Portable bells first appeared in Asia and in time they came to be used to attract attention in many situations; for hundreds of years the sound of handbells was part of the daily routine for many people, not least domestic servants. After 1700, when bellfounders improved the shape and musical tone of handbells and began to offer fittings such as leather strap handles, their potential as musical instruments began to be exploited. Once their entertainment, educational and therapeutic values were recognised, complete sets of handbells were eagerly purchased. Nineteenth-century enthusiasts formed handbell-ringing societies, often possessing over two hundred bells, and gave lengthy concerts to large audiences. Many groups of handbell ringers continue the tradition in Britain and North America today. This book describes the basic types of handbell, their history, and how they are made and used.
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