Disney and His Worlds

Disney and His Worlds by Alan Bryman, published by Psychology Press in 1995, offers a comprehensive overview of the extensive literature surrounding the Disney organization, particularly focusing on the theme parks and their cultural significance. This edition, comprising 222 pages, examines Walt Disney’s life and the evolution of the Walt Disney Company following his death, while also addressing the perspectives of various commentators on the Disney theme parks.
Readers will find a detailed exploration of key issues related to the parks, including their role in contemporary culture, the dynamics of consumption, and their status as tourism destinations. The book connects the discussion of theme parks with Walt Disney’s biography and the business aspects of his organization, highlighting how economic considerations have influenced their development. Bryman challenges the notion that the parks solely represent postmodern sensibility, providing a critical lens on the interplay between fantasy and the underlying business motivations.
Official synopsis Publisher
Disney and his Worlds is a thorough overview of what is by now quite a large literature on the Disney organization, in particular the theme parks and their significance for contemporary culture. The author looks at Walt Disney’s life and how his biography has been constructed; the Walt Disney Company in the years after his death; and the writings of various commentators on the Disney theme parks. He raises important issues about the parks: whether they are harbingers of postmodernism; the significance of consumption at the parks; the nature of the parks as tourism; and the representation of past and future. The discussion of theme parks is central but links with the presentation of Walt Disney’s biography and his organization by showing how central economic and business considerations have been in their development, and how the significance of these considerations is typically marginalized in order to place an emphasis on fantasy and magic. In the process, the book questions the assumption that the parks are sites of postmodern sensibility.
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