Cultures in Motion
Cultures in Motion by Daniel T. Rodgers, published by Princeton University Press on May 9, 2017, is a reprint edition comprising 384 pages. This collection features a dozen essays from distinguished historians who explore the dynamic nature of cultural practices across various geographies and social spaces. The essays delve into topics such as the evolution of charity in late antiquity and the exchange of medical knowledge between early modern China and Europe, illustrating how cultures have historically transcended boundaries.
Readers will find a diverse examination of cultural motion, translation, and exchange, emphasizing that cultural systems are not fixed but rather fluid and evolving. The essays present compelling examples of cultural interactions, including the fusion of Irish and African dance forms in early nineteenth-century New York. By challenging traditional notions of stable cultural identities, Cultures in Motion provides insights into the complexities of cultural practices throughout history, making it a significant contribution to the fields of history and world studies.
Official synopsis Publisher
In the wide-ranging and innovative essays of Cultures in Motion, a dozen distinguished historians offer new conceptual vocabularies for understanding how cultures have trespassed across geography and social space. From the transformations of the meanings and practices of charity during late antiquity and the transit of medical knowledge between early modern China and Europe, to the fusion of Irish and African dance forms in early nineteenth-century New York, these essays follow a wide array of cultural practices through the lens of motion, translation, itinerancy, and exchange, extending the insights of transnational and translocal history.
Cultures in Motion challenges the premise of fixed, stable cultural systems by showing that cultural practices have always been moving, crossing borders and locations with often surprising effect. The essays offer striking examples from early to modern times of intrusion, translation, resistance, and adaptation. These are histories where nothing–dance rhythms, alchemical formulas, musical practices, feminist aspirations, sewing machines, streamlined metals, or labor networks–remains stationary.
In addition to the editors, the contributors are Celia Applegate, Peter Brown, Harold Cook, April Masten, Mae Ngai, Jocelyn Olcott, Mimi Sheller, Pamela Smith, and Nira Wickramasinghe.
FAQ
What is “Cultures in Motion” about?
Who is the author of “Cultures in Motion”?
When was “Cultures in Motion” published?
What is the ISBN for “Cultures in Motion”?
What are the book details (language, pages, edition)?
