John Sargent 121 Drawings

John Sargent 121 Drawings by Narim Bender is a revised edition published by CreateSpace Independent Publishing Platform on December 23, 2014. This edition features completely different quality reproductions of drawings and sketches by John Singer Sargent, an influential American portrait painter known for his work during the Edwardian era. The book highlights Sargent’s extensive body of work, which includes approximately 900 oil paintings, over 2,000 watercolors, and numerous sketches and charcoal drawings, showcasing his travels across various locations.
Readers will find a detailed exploration of Sargent’s artistic journey, emphasizing his transition from portraiture to landscapes in his later years. The book delves into the diverse techniques he employed in drawing, reflecting his experiences from places like Venice, the Tyrol, and the Middle East. This edition, comprising 158 pages, offers insights into Sargent’s perspective on modern art and his steadfast admiration for classical artists, providing a comprehensive look at his contributions to the art world.
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This revised edition of the book is with completely different in quality reproductions of drawings and sketches of John Singer Sargent.John Singer Sargent was an American leading portrait painter of Edwardian era luxury. During his career, he created about 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida. In 1907, at the age of fifty-one, Sargent officially closed his studio and focused on landscapes in his later years. After 1917, most critics began to consign him to the masters of the past, “a brilliant ambassador between his patrons and posterity.” Modernists treated him more harshly, considering him completely out of touch with the reality of American life and with emerging artistic trends including Cubism and Futurism. Sargent quietly accepted the criticism, but refused to alter his negative opinions of modern art. He retorted, “Ingres, Raphael and El Greco, these are now my admiration, these are what I like.”
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