Down the Road

Down the Road by Bowie Ibarra, published by Gallery Books on January 4, 2011, is a gripping narrative that explores the chaos unleashed by a bizarre plague. Set against the backdrop of a surreal national crisis, the story follows George Zaragosa, a local theater teacher in Austin, Texas, whose life is upended by reports of the dead returning to life. As he grapples with the haunting memory of his fiancée’s unsolved murder, George embarks on a perilous journey to return to his hometown of San Uvalde, leaving behind his ordinary life.
Readers will find a tense exploration of survival as George navigates a landscape transformed by horror and desperation. The narrative unfolds with the dead rising from hospitals and morgues, leading to nationwide lockdowns and societal breakdown. Throughout his journey, George encounters military roadblocks, FEMA camps, and street thugs, all while evading the terrifying creatures that threaten his life. This edition spans 224 pages and is presented in English, immersing readers in a chilling tale of resilience amid chaos.
Official synopsis Publisher
From his small apartment in Austin, Texas, George Zaragosa watches in awe as surreal reports of a bizarre plague flood the national news. Until today, his life as a local theater teacher was stable and ordinary, if overshadowed by the unsolved murder of his beautiful fiancée. Now, hearing how those who died from an unstoppable virus are coming back to life in growing numbers, George knows what he has to do: leave everything behind in the city and get home to San Uvalde, just down the road.
It began in New York City, when the dead arose from the hospitals and morgues, attacking the living and pulling them into their growing hordes. State by state, the nation goes into lockdown, whole cities and towns fight for survival, and George must navigate military roadblocks, FEMA camps, and street thugs to make it home. But most of all, his journey down the road will require him to stave off the horrifying creatures hungering for his flesh. . . .
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