Conversations with Jerome Charyn

Conversations with Jerome Charyn by Sophie Vallas, published by University Press of Mississippi on May 6, 2022, presents a collection of fourteen interviews that explore the extensive career of author Jerome Charyn. This edition features four interviews translated into English for the first time, along with two that are published in print for the first time. The book delves into Charyn’s experiences growing up in the Bronx and how these formative years have influenced his literary output, which spans over fifty works including fiction, nonfiction, and graphic novels.
Readers will find a rich tapestry of insights as Charyn reflects on his life shaped by historical events and the power of storytelling. The interviews reveal his deep connection to language and the arts, emphasizing themes of identity and memory. This volume not only highlights Charyn’s contributions to American literature but also captures his unique perspective on the interplay between personal history and creative expression. With 182 pages, this English-language edition invites readers to engage with the thoughts of a literary figure whose work continues to resonate across genres.
Official synopsis Publisher
This volume of fourteen interviews covers the prolific and rich career of author Jerome Charyn (b. 1937). Four of the interviews appear in English for the first time, and two interviews appear here in print for the first time as well.
As one of his autobiographical volumes claims, Jerome Charyn is a “Bronx Boy,” a child born from immigrant parents who went through Ellis Island in the 1920s like so many other travelers without luggage, a “little werewolf” who grew up on his own in the chaos of the Bronx ghetto. “I think I was defined by two things: World War II and the movies.” His work remains deeply marked by this childhood largely forgotten by the American Dream. If Charyn has spent much of his life in Paris, he has paradoxically never left the Bronx: “‘El Bronx’ is there inside my head, and I revisit it the way Hemingway would fish the Big Two-Hearted River in his dreams.” His whole work is a long attempt at evoking his own history and celebrating his lifelong marveling at the power of language-“our second skin”-as well as his deep, unflinching belief in the promises of fiction.
Since 1964, Charyn has published more than fifty books ranging from fiction to nonfiction and including short stories; very popular crime novels; graphic novels cowritten with European artists; essays on American culture and cinema as well as on New York; autobiography; and biography-an ever-changing production that has made it difficult for critics to classify him. And yet in many ways Charyn’s writing thrives on constant currents: the words “voice,” “song,” “undersong,” or “rhythm” return frequently in his interviews as he explains what literature is to him and ceaselessly asserts that he is trying “to find a music for a musicless world,” a language for “people who cannot speak.
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