The Dysfunctional Photographer

The Dysfunctional Photographer by Raymond St. Arnaud is a photography project published by CreateSpace Independent Publishing Platform on May 27, 2008. This edition features 116 pages and is presented in English. The book is inspired by the author’s experiences of capturing images while walking the streets of Paris and his desire to explore photography in his everyday life. It documents a dual blogging project where the author posted one photograph daily, focusing on visual response rather than technical camera settings.
Readers will find a collection of 100 photographs that reflect the author’s journey to rediscover photographic possibilities in daily living. The images, primarily taken with a point-and-shoot camera, are processed in Photoshop to enhance contrast, detail, and color. This work serves as an exploration of individual photographers and the art of photography, showcasing the author’s unique perspective on capturing moments from both familiar and traveled environments.
Official synopsis Publisher
This photography project had two sources of inspiration. One was the thought that I was able to walk the streets of Paris, taking hundreds of photographs, but didn’t seem to have the capacity to do so at home. The other was the motivation to become physically active by walking around my neighbourhood and city. I began twin projects as blogs on the Internet. One was called, The Dysfunctional Photographer, the other, The Forced March. The title, The Dysfunctional Photographer, reflects my need to rediscover the photographic possibilities in day-to-day living and the title, The Forced March, my need for physical activity. The rules were simple. I had to post one photograph per day on each blog. The photographs could be anything of interest to me and my sensibilities. The origin of the photographs could be within my house or anywhere that I travelled in my day-to-day activity. For the most part I restricted myself to using a point and shoot camera set to program mode. Doing so forced me to concentrate on visual response, instead of the camera. The images were force processed in Photoshop to reflect my interest in exaggerating contrast, detail and color. This is an extension of my experiments in the early 1970s with film-based photography. I will confess to having given up on the film-based concept. The number of copies, reversals, negatives, positives and film masks became overwhelming and impossible to track. I am grateful for the current digital options that allow me to pursue this interest again. Both blogs continued for 100 posts, and were closed when I redirected my time and energy to a renovation project. Prints of the photographs are available. They are printed on an archival art paper using a digital printer. Color, 100 photographs, 114 pages
Publisher
Topics
FAQ
What is “The Dysfunctional Photographer” about?
Who is the author of “The Dysfunctional Photographer”?
When was “The Dysfunctional Photographer” published?
What is the ISBN for “The Dysfunctional Photographer”?
What are the book details (language, pages, edition)?
