Giacomo Puccini A Discography

Giacomo Puccini: A Discography by Roger Flury, published by Bloomsbury Academic in 2012, is a comprehensive resource that chronicles the recorded history of one of opera’s most celebrated composers. This first edition spans 915 pages and is presented in English, offering a detailed examination of Puccini’s operas from Le Villi to Turandot, along with his instrumental, chamber, orchestral, and solo vocal works. The book organizes recordings chronologically by opera and includes listings of each aria alphabetically by artist, focusing on commercially available recordings.
Readers will find a thorough exploration of nearly 10,000 recordings, encompassing both mainstream and unofficial sources, ensuring a complete audio recording history of Puccini’s music. Flury’s work serves as a valuable reference for music enthusiasts and scholars alike, providing insights into the evolution of opera recordings and facilitating the transfer of recordings across different formats. This edition is an essential guide for anyone interested in the intersection of music and recording history, particularly within the realm of opera.
Official synopsis Publisher
Opera recordings have been with us since the creation of the first wax cylinders. Now at a time when the 25-year reign of the compact disc appears to be coming to an end is the moment to take stock of the history of recordings of arguably the most popular composer of operas, Giacomo Puccini. In Giacomo Puccini: A Discography, librarian and music historian Roger Flury looks at each opera chronologically from Le Villi to Turandot, followed by sections on Puccini’s instrumental, chamber, orchestral, and solo vocal works. Details of each complete opera are listed by recording date, followed by excerpts in the order in which they occur in the opera. Recordings of each aria are listed alphabetically by the name of the artist. For ease of use, Flury establishes as the main criteria for inclusion those recordings assigned a commercial issue number and available for purchase.
This book does not limit itself to mainstream recordings but includes as well ‘unofficial’ recordings taken from broadcasts or illegally recorded in theaters, ensuring that the audio recording history of Puccini is free of gaps. (Video and DVD issues, whether of staged performances or excerpts in concert, are not included unless they have been issued in a sound-only format.) This volume brings together information on nearly 10,000 recordings of Puccini’s music. It provides a comprehensive overview of the recorded history of the composer’s works and serves as a useful guide for the transfer of recordings from one format to another.
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