Jacques Tissot 139 Masterpieces

Jacques Tissot 139 Masterpieces by Maria Tsaneva is an annotated art book published by CreateSpace Independent Publishing Platform on December 29, 2014. This edition features 146 pages filled with selected paintings, drawings, and watercolors by Jacques Tissot, offering insights into his artistic journey and the influences that shaped his work. The book includes a foreword and presents a detailed exploration of Tissot’s life, from his early studies at Beaux-Arts in Paris to his later years in London and Paris.
Readers will find a comprehensive collection of Tissot’s art, highlighting his depictions of London society and the personal experiences that informed his creations. The book delves into Tissot’s relationship with Kathleen Newton, who served as both his muse and a significant figure in his life, as well as his eventual shift towards religious themes and Spiritualism. This annotated edition provides context for Tissot’s artistic evolution, making it a valuable resource for those interested in art history and European art movements.
Official synopsis Publisher
This Art Book with Foreword and annotated reproductions by Maria Tsaneva contains 139 selected paintings, drawings and watercolors of Jacques Tissot. Jacques Tissot was born to a middle class family. He initially studied art at Beaux-Arts in Paris. He decided to move to London in 1871. Here Tissot started to paint highly finished pictures of London society. The main criticisms were that the pictures were really only painted photographs, and they were vulgar. In 1876 he met a young and attractive Irish divorcee called Kathleen Newton. She became Tissot’s mistress, and moved into his London home, became Tissot’s muse, and appeared in many of his pictures. She was in every sense the love of his life. In 1882, Kathleen Newton died of consumption. Tissot never recovered from this tragedy, and moved back to Paris within a week of her death .He was never again romantically involved with woman. Initially he carried on painting society and genre pictures in Paris, but soon gave this up, devoting the rest of his life to painting religious scenes. In his late years Tissot became increasingly interested in Spiritualism.
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