Conceptual Art Theory, Myth, and Practice
“Conceptual Art Theory, Myth, and Practice” by Michael Corris is a comprehensive exploration published by Cambridge University Press on December 15, 2003. This first softcover edition spans 380 pages and is presented in English. The book delves into the emergence of conceptual art during the 1960s and 1970s, offering a collection of essays that provide new research on international exhibitions and key practitioners of the movement.
Readers will find a wealth of insights into the social and political aspirations that characterized this influential avant-garde artistic practice. The essays reconsider the relationship between conceptual art and the broader intellectual and social context of the time, making it a valuable resource for those interested in art history and the evolution of artistic practices. This edition invites a deeper understanding of the complexities surrounding conceptual art and its impact on the art world.
Official synopsis Publisher
Conceptual art consisted of a loose collection of related practices that emerged worldwide during the 1960s and 1970s. This collection of essays offers readers a wealth of new research on the earliest international exhibitions of Conceptual art; new interpretations of some of its most important practitioners; and a reconsideration of the relationship between Conceptual art and the intellectual and social context of the 1960s and 1970s. Of special note are the contributions that focus on the explicitly social and political aspirations of this influential avant-garde artistic practice.
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