Play Reconsidered Sociological Perspectives on Human Expression

Play Reconsidered: Sociological Perspectives on Human Expression by Thomas S. Henricks, published by University of Illinois Press in September 2006, offers a comprehensive examination of the role of adult play within modern societies. This 239-page book presents play not merely as a pastime for the young but as a significant social and cultural phenomenon that intersects with broader societal structures. Henricks advocates for a sociological approach to play, drawing on the insights of classic sociological thinkers from the twentieth century to enrich the understanding of this often-overlooked aspect of human expression.
In this edition, readers will find an exploration of key sociological concepts related to play, including discussions on creativity in labor as analyzed by Karl Marx, Emile Durkheim’s views on ritual and collective consciousness, and Max Weber’s ideas on rationalization in expressive culture. Henricks also delves into Georg Simmel’s unique approach to sociology and Erving Goffman’s perspective on human conduct as a process of play. By synthesizing these varied viewpoints, the book distinguishes play from other forms of social expression, such as ritual and work, providing a nuanced understanding of its significance in human development and social theory.
Official synopsis Publisher
Understanding the significance of adult play in the life of modern societies
Within the social sciences, few matters are as significant as the study of human play–or as neglected. In Play Reconsidered, rather than viewing play simply as a preoccupation of the young and a vehicle for skill development, Thomas S. Henricks argues that it’s a social and cultural phenomenon of adult life, enveloped by wider structures and processes of society. In that context, he argues that a truly sociological approach to play should begin with a consideration of the largely overlooked writings on play and play-related topics by some of the classic sociological thinkers of the twentieth century.
Henricks explores Karl Marx’s analysis of creativity in human labor, examines Emile Durkheim’s observations on the role of ritual and the formation of collective consciousness, extends Max Weber’s ideas about the process of rationalization to the realm of expressive culture and play, surveys Georg Simmel’s distinctive approach to sociology and sociability, and discusses Erving Goffman’s focus on human conduct as process and play as “encounter.” These and other discussions of the contributions of more recent sociologists are framed by an initial consideration of Johan Huizinga’s famous challenge to understand the nature and significance of play. In a closing synthesis, Henricks distinguishes play from other forms of human social expression, particularly ritual, communitas, and work.
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