Lebbeus Woods: Exquisite Experiments, Early Years
Lebbeus Woods: Exquisite Experiments, Early Years by Aleksandra Wagner, published by John Wiley & Sons on March 18, 2024, is a detailed exploration of the formative years of American architect Lebbeus Woods. This edition, comprising 136 pages, delves into Woods’s early work from the late 1960s, highlighting his development as a draughtsman and theorist. The book features a collection of largely unpublished drawings and texts that illustrate his experimental approach to architecture during this pivotal period.
Readers will find a comprehensive examination of Woods’s trajectory leading up to his emergence in the architectural scene, particularly following his 1985 solo exhibition at the Architectural Association in London. The publication aims to generate new scholarship and understanding of Woods’s contributions, featuring insights from a range of international critics and commentators. By linking his early works with his later achievements, this book provides a fresh perspective on the evolution of architectural thought and the significance of early work in an architect’s career.
Official synopsis Publisher
American architect Lebbeus Woods (1940–2012) remains a quiet hero not only among his colleagues, but also for architectural students intrigued by the ideas and fluent beauty of his powerful graphic verve, as well as of his writing. His projects from the mid-1980s until the end of his life have been widely published. However, this AD, in collaboration with the Estate of Lebbeus Woods, explores the earlier period beginning in the late 1960s when Woodswas honing his draughtsmanship and theoretical positions while experimenting with a variety of themes and different modes of expression.
When he burst onto the international architectural scene with a solo exhibition and accompanying catalogue (Lebbeus Woods: Origins) at the Architectural Association, London, in 1985, some wondered how anyone could emerge so fully formed, from nowhere. Working against the logic of ‘nowhere’, this issue charts his early trajectory through the largely unpublished drawings and texts, linking them with what came after. Aiming to generate new scholarship, its roster of international interdisciplinary critics and commentators offer a new understanding of Woods’s work and of his formative years, also shining a light on how we might think about the ‘early work’ of any architect’s career.
Contributors: Joseph Becker, Aaron Betsky, Peter Cook, Mark Dorrian, Riet Eeckhout, Kevin Erickson, Joerg Gleiter, Sharon Irish, Eliyahu Keller, Lawrence Rinder, Ashley Simone, Ben Sweeting.
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