Queer Print in Europe

Queer Print in Europe by Glyn Davis, published by Bloomsbury Academic on November 17, 2022, is a comprehensive exploration of queer print cultures in Europe from the late 1960s to the present. This 272-page book delves into how radical print media has fostered and preserved queer lived experiences, examining the intersection of print production and LGBTQ+ activism within various national contexts. Through the analysis of ephemeral documents sourced from archives and personal collections, the book reveals alternative narratives about queer life across Europe.
Readers will find a rich array of visual materials, including manifestos, flyers, posters, and zines, that illustrate the evolution of queer print media. The book features interviews with individuals involved in the creation, distribution, and archiving of these materials, alongside theoretical essays that contextualize specific publications and their creators. By scrutinizing the design aesthetics of queer print, this work highlights its significant contributions to LGBTQ+ history and the broader field of graphic arts, while also addressing themes of borders and political movements in the formation of a ‘post-national’ queer community.
Official synopsis Publisher
How have radical print cultures fostered and preserved queer lived experience from the 1960s to the present? What alternative stories about queer life across Europe can visual material reveal?
Queer Print in Europe is the first book devoted to the exploration of queer print cultures in Europe, following the birth of an international gay rights movement in the late 1960s. By unearthing these ephemeral paper documents from archives and personal collections, including materials that have been out of circulation since they were first distributed, this book examines how the production and dissemination of queer print intersected with the emergence of LGBTQ+ activism within specific national contexts. This vital contribution to queer history explores borders and political movements, and the ways in which these materials contributed, through their international circulation, to the creation of a ‘post-national’ queer community.
Illustrated throughout with examples of manifestos, flyers, posters, zines and other forms of print media, it features interviews with those responsible for making, distributing or archiving queer print, alongside a series of new theoretical essays that set particular publications and the individuals and groups that produced them in context. The book isolates specific instances of queer print media and scrutinises their design aesthetics, identifying both the significant contribution that queer print has made to histories of LGBTQ+ struggle and to the history of print design.
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