The Liar’s Wife
The Liar’s Wife by Mary Gordon, published by Pantheon Books in 2014, is a first edition comprising 288 pages. This collection features four novellas that explore the intricate relationships between Americans in Europe and Europeans in America, showcasing both historical and contemporary narratives. The stories include a portrayal of the fierce Simone Weil during her final days in New York City, an American graduate student seeking solace in Italy after a tumultuous love affair, and the titular charming Irish liar who navigates life with a unique perspective.
Readers will find that these novellas are rich in detail, presenting beautifully rendered settings while delving into the psychological depths of the characters. The narratives highlight transformative moments in the characters’ lives, revealing crucial insights through their interactions. With themes of fiction, historical context, and women’s experiences woven throughout, The Liar’s Wife offers a multifaceted exploration of human connections and the complexities of life across different cultures.
Official synopsis Publisher
The award-winning author at her storytelling best: four compelling novellas of Americans in Europe and Europeans in America.
In these absorbing and exquisitely made novellas of relationships at home and abroad, both historical and contemporary, we meet the ferocious Simone Weil during her final days as a transplant to New York City; a vulnerable American grad student who escapes to Italy after her first, compromising love affair; the charming Irish liar of the title story, who gets more out of life than most of us; and Thomas Mann, opening the heart of a high-school kid in the Midwest. These narratives dazzle on the surface with beautifully rendered settings and vistas, and dig deep psychologically. At every turn, Mary Gordon reveals in her characters’ interactions those crucial flashes of understanding that change lives forever. So richly developed it’s hard to believe they fit into novella-size packages, these tales carry us away both as individual stories and as a larger experience of Gordon’s literary mastery and human sympathy.
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