I, Menagerie

I, Menagerie by Garrett Ray Harriman is a debut collection of poetry published by Finishing Line Press on March 26, 2021. This edition features 42 pages of free and formal verse that invites readers to explore the intricate landscapes of family and memory through a diverse array of poetic forms. The collection takes readers on a safari of reflections, revealing the complex relationships that shape our lives.
Within the pages of I, Menagerie, readers will encounter over twenty poems that illuminate the author’s familial bonds and the personalities of his parents and siblings. The collection includes a variety of creatures, from heartwarming pets to mythical beings, each serving as a metaphor for the inconstant nature of human relationships. The work also celebrates nature through traditional forms like the sonnet and tanka, culminating in a tribute to a beloved saber-toothed cat sculpture at the Denver Museum of Nature and Science. This collection offers a unique exploration of the wilds and comforts that family can provide.
Official synopsis Publisher
I, Menagerie, a debut collection of free and formal verse, takes readers on safari through the jungles of family and the Big Top of memory. Across twenty plus poems, author Garrett Ray Harriman releases animals of all stripes into reflections on those chimeras that define our lives: nature, nurture, and the inseverable bonds between them.
“Snake in the Grass,” a semi-finalist in Naugatuck River Review’s 11th Narrative Poetry Contest (guest judged by Lauren K. Alleyne), begins this diverse animal-gamation. The proceeding zoo illuminates the author’s family relationships and the lives and personalities of his parents and siblings. From heartwarming creatures (dogs, lambs, and deer), to those more exotic (elephants and wolverines), to those only seen in imagination (Nessie and Bigfoot), their metaphoric presence preserves his subjects’ inconstant inner-natures. Complementing and corralling this varied circus is an array of formal forms, including the sonnet, rondeau, and pantoum.
Nature herself is also celebrated through the distilled and subtle lines of the endangered Japanese tanka, while her fickleness, beauty, and cunning (ours, too) define the chapbook’s tentpole piece “Vulnerable Species.” The collection ends with a song of praise dedicated to an immortal, ever-evolving fixture at the Denver Museum of Nature and Science: a saber-toothed cat sculpture beloved by generations.
Poignant, surprising, and utterly untamable, I, Menagerie offers poetry readers a unique exploration of all the wilds and comforts a family can provide.
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