Fire Passage

Fire Passage by Lisa Wells, published by Four Way Books in 2025, is a collection of 88 pages of poetry that explores the intersection of personal and societal crises. In this work, Wells presents a lyric descent in the epic tradition, navigating through the challenges posed by extreme weather and mysterious illness. The poet reflects on her own health crisis while drawing parallels to the larger entropic catastrophes of contemporary society, offering a unique perspective on the struggles faced by individuals in a world marked by uncertainty.
Readers will find that Fire Passage delves into themes of illness, psychological exile, and the search for solidarity amidst adversity. Through vivid imagery and poignant language, Wells confronts the skepticism often encountered in medical settings, illuminating the emotional landscape of those grappling with their health. The collection invites contemplation on resilience and the potential for renewal, emphasizing the importance of community and shared experience in the face of despair. This edition serves as a testament to the enduring spirit of those who endure hardship, urging readers to embrace the possibility of rebuilding a better world from the remnants of the old.
Official synopsis Publisher
Winner of the 2025 Four Way Books Levis Prize in Poetry selected by Pulitzer Prize recipient Diane Seuss, The Fire Passage is a lyric descent in the epic tradition, traveling unto realms unmoored by extreme weather and mysterious illness before resurfacing to the light of a world remade. Recording her experience of a health crisis amid continuous natural disaster, poet Lisa Wells recontextualizes biblically scaled plagues as the entropic catastrophes of our late-stage capitalist society. “I was sick, plainly. / I had my symptoms.” Confronted with the disbelief and “skeptical pity” of medical professionals, Wells brilliantly illuminates the psychological exile of illness where patients, “turned out by the body,” find themselves on “malignancy’s forced pilgrimage.” The passage she travels is a gauntlet of flame, a path guarded by gatekeepers who acted “as if the wound were in [her] mind.” (“And it was. But it was elsewhere, too.”) This book serves as the answer to a query posed by bad-faith actors and the insightful dream-self alike: “so the wound is a window?” These pages convey grim comfort and radical optimism at once, reminding, “Friend, we die, but do not die alone.” They insist on an affirmative practice of responding to rhetorical questions, building solidarity among the weary who call out, ensuring that they–that we–are not alone with silence. “It comes for all? // It comes for all.” Despite its frank acknowledgment of fire’s lethal nature, the fortifying poetics of this book never preclude the possibility of resurrection or lose their focus on rebuilding a better world from the ashes of this one. “Do not shrink from That Which / razed the scab, will / fertilize the disturbance,” Wells commands us. She entreats us to measure up to a corrective future. “Already its great wave breaks / against the mangroves. // Let us go / and greet it.”
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