Michelangelo & Sebastiano

Michelangelo & Sebastiano by Matthias Wivel is a significant publication from the National Gallery Company, released in 2017. This book explores the intricate relationship between two pivotal figures of the High Renaissance, Michelangelo and Sebastiano del Piombo. It delves into their professional alliance and personal friendship, highlighting their interactions from their first meeting in Rome in 1511 through more than three decades of collaboration and creative dialogue.
Readers will find a comprehensive examination of how Michelangelo influenced Sebastiano’s work and the latter’s unique interpretations of shared themes, particularly the depiction of death and resurrection in the context of Christ’s life. The text is richly illustrated, featuring drawings, paintings, and sculptures that underscore their artistic journey. This edition, comprising 271 pages, aims to bring Sebastiano’s remarkable contributions to light, offering insights into his artistry alongside Michelangelo’s enduring legacy.
Official synopsis Publisher
The first publication to consider the relationship between these two major artists of the High Renaissance. Through most of Michelangelo’s working life, one of his closest colleagues was the great Venetian painter Sebastiano del Piombo (1485–1541). The two men met in Rome in 1511, shortly after Sebastiano’s arrival from his native city, and while Michelangelo was based in Florence from 1516 to 1534 Sebastiano remained one of his Roman confidants, painting several works after partial designs by him. This landmark publication is about the artists’ extraordinary professional alliance and the friendship that underpinned it. It situates them in the dramatic context of their time, tracing their evolving artistic relationship through more than three decades of creative dialogue. Matthias Wivel and other leading scholars investigate Michelangelo’s profound influence on Sebastiano and the Venetian artist’s highly original interpretation of his friend’s formal and thematic concerns. The lavishly illustrated text examines their shared preoccupation with the depiction of death and resurrection, primarily in the life of Christ, through a close analysis of drawings, paintings, and sculpture. The book also brings the austerely beautiful work of Sebastiano to a new audience, offering a reappraisal of this less famous but most accomplished artist.
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