William Wallace A National Tale

William Wallace: A National Tale by Graeme Morton, published by Edinburgh University Press in 2014, presents a detailed examination of the national biography and mythology surrounding the historical figure William Wallace. This 257-page edition delves into how Wallace’s life has been woven into the fabric of Scottish nationalism, exploring the complexities of his legacy through various narratives over the centuries.
In this investigation, Morton analyzes the ways in which Wallace’s biography has been reshaped and utilized within the context of Scottish identity and politics. The book scrutinizes the transformation of Wallace’s personal story into a national narrative, drawing on literary and historical interpretations from sources such as Blind Harry’s verse and modern representations in films like Braveheart. This exploration offers insights into the cultural and historical significance of Wallace’s figure in Scotland, making it a relevant contribution to the fields of biography, history, and political studies.
Official synopsis Publisher
A deconstruction of the national biography and mythology of William Wallace Freed from the historian’s bedrock of empiricism by a lack of corroborative sources, the biography of this short-lived late-medieval patriot has long been incorporated into the ideology of nationalism. It is to explain this assimilation, and to deconstruct the myriad ways that Wallace’s biography has been endlessly refreshed as a national narrative, over many generations, that forms this investigation. William Wallace: A National Tale examines the elision of Wallace’s after-life into narrative ascendency, dominating the ideology and politics of nationalism in Scotland. This narrative is conceptualised as the national tale, a term taken out of its literary moorings to scrutinise how the personal biography of a medieval patriot has been evoked and presented as the nation’s biography over seven centuries of time. Through the verse of Blind Harry, the romance of Jane Porter, to the historical imaginations of Braveheart and Brave, Scotland’s national tale has been forged. This is a fresh, engaging and timely exploration into Wallace’s hold over Scotland’s national mythology. Graeme Morton is Professor of Modern History at the University of Dundee. His publications include The Scottish Diaspora(Edinburgh, 2013), Ourselves and Others: Scotland, 1832-1914 (Edinburgh, 2012), and A History of Everyday Life in Scotland, 1800 to 1900 (Edinburgh, 2010). Cover image: part of the stained glass window of William Wallace, removed from the Wallace Monument for restoration (c) Andrew Milligan/PA Archive/Press Association Images.
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