Bomarzo

Bomarzo by Manuel Mujica Lainez is a gothic historical fantasy novel published by New York Review of Books on August 5, 2025. This edition spans 688 pages and is presented in English. The narrative centers on Pier Francesco Orsini, the duke of Bomarzo, who is known for creating the bizarre “Garden of the Monsters” in Italy. The story unfolds as Orsini reflects on his tumultuous life, blending historical elements with a rich, immersive style.
Readers will encounter a vivid portrayal of Orsini as he navigates the challenges of his sixteenth-century existence, marked by family bullying and a quest for identity. The novel serves as both a personal memoir and a commentary on historical fiction, inviting exploration of themes such as memory and the complexities of the past. With its lush prose reminiscent of classic literary styles, Bomarzo offers a unique reading experience that intertwines fantasy and history, making it a noteworthy addition to the genres of literature and fiction.
Official synopsis Publisher
“[Bomarzo] is a novel that will make any reader happy…. [A] novel to be read aloud, with the whole family gathered around.” —Roberto Bolaño
A lavishly written gothic historical fantasy novel that centers around Pier Francesco Orsini, the tortured duke of Bomarzo and creator of the Italian town’s famously bizarre “Garden of the Monsters.”
Forty miles north of Rome, near the village of Bomarzo, Pier Francesco Orsini created a park of monstrous statuary in which the nightmares of the Renaissance stand preserved in stone. In Bomarzo, Manuel Mujica Lainez—one of the major Argentine novelists of the twentieth century—re-creates this dark and legendary duke as a briliant memoirist. From beyond the grave, in a city that sounds suspiciously like Mujica Lainez’s own Buenos Aires, Orsini—who now knows his Freud and has read Lolita—looks back at the trials and travails of his sixteenth-century life.
Bomarzo is a historical novel in the grand manner, a first-person portrait of a hunchback bullied by his family and determined to prove a villain. It is also a commentary on such historical fictions. But above all it is an immersive story told in a sumptuous style—like one of Poe’s Italian tales rewritten by Proust—as Gregory Rabassa’s translation beautifully conveys.
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