The Falling Angels An Irish Romance

The Falling Angels An Irish Romance by John Walsh, published by Flamingo in 2000, is a 7th edition memoir that delves into the complexities of Irish identity and culture. With 282 pages, this work combines humor and personal reflection, offering insights into the author’s experiences as he navigates the nuances of being both Irish and Anglo-Irish. The narrative begins with the death of Walsh’s mother, exploring themes of family, faith, and the Irish Way of Death, all presented with his characteristic wit and flair.
Readers will find a rich tapestry of reflections on race, place, language, and love, as Walsh examines the evolving nature of Ireland and its cultural landscape. The book is infused with literary references and personal anecdotes, making it a lively exploration of the Irish experience. Walsh’s engaging style invites readers to consider the intersections of identity and culture, while also addressing the changing dynamics of Irish society in a contemporary context.
Official synopsis Publisher
An exuberant Angela’s Ashes meets When Did You Last See Your Father?; an intoxicating memoir of Ireland and being Irish (and Anglo-Irish as well) from one of literature’s most flamboyant characters.
John Walsh is one of literature’s party animals and ever-present commentators, and he writes with terrific wit and panache. The Falling Angels is a book about being Irish and about the way the Irish see the English and vice versa; and how it feels to fall in between. It opens with the death of Walsh’s mother, ‘the Widow of Oranmore’, as he learns the Irish Way of Death: ‘the rosaries and mass cards and lilies and amaryllises, the curious mixture of innocence and guile with which distant in-laws from Kerry and Dublin would coo and sigh and claim close friendship and act at being saints, the increasingly direct conversations that the neighbours (and I) had with Mother about death and what she could expect in Heaven. Above all, there was my mother’s own struggle with her growing doubts about God and the afterlife – she who had once been the Pope’s representative in Battersea.’
Every sentence Walsh writes is witty, outrageous, illuminating and compelling; he explores the Irish identity in a warm, personal and confessional book that takes in issues of race, of place, of language, of song, of love, of religion and, crucially, the changing nature of Ireland as it wriggles out of the dwindling influence of the church towards a new sense of itself; and in England, Irish culture has a fashionable ascendency (Angela’s Ashes, Father Ted) as indeed it always has had.
Stuffed like a barmbrack (fruitcake to you English) with quotations from Heaney, MacNeice, the Pogues and Paul Muldoon, it will be intensely personal, lively rather than gloomy, full of literary and historical relish, and a completely glorious read.
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