Dancing Man A Broadway Choreographer’s Journey

Dancing Man: A Broadway Choreographer’s Journey by Bob Avian is a memoir published by the University Press of Mississippi in 2020. This edition spans 205 pages and is presented in English. The book chronicles the life of Avian, a Tony and Olivier Award-winning choreographer, detailing his experiences and contributions to Broadway before the age of thirty, including performances alongside stars like Barbra Streisand and Mary Martin.
Readers will find a vivid account of Avian’s career, which includes teaching Katharine Hepburn in Coco and collaborating with notable figures such as Stephen Sondheim and Michael Bennett on iconic productions like Company and Follies. The memoir also highlights his achievements, including winning a Tony Award for A Chorus Line and producing Dreamgirls. With candid and entertaining storytelling, Avian offers an insider’s perspective on the evolution of Broadway and the creation of its most celebrated musicals over the past fifty years.
Official synopsis Publisher
Tony and Olivier Award-winning Bob Avian’s dazzling life story, Dancing Man: A Broadway Choreographer’s Journey, is a memoir in three acts. Act I reveals the origins of one of Broadway’s legendary choreographers who appeared onstage with stars like Barbra Streisand and Mary Martin all before he was thirty. Act II includes teaching Katharine Hepburn how to sing and dance in Coco and working with Stephen Sondheim and Michael Bennett while helping to choreograph the original productions of Company and Follies. During this time, Avian won a Tony Award as the cochoreographer of A Chorus Line and produced the spectacular Tony Award-winning Dreamgirls. For a triumphant third act, Avian choreographed Julie Andrews’s return to the New York stage, devised all of the musical staging for Miss Saigon and Sunset Boulevard, and directed A Chorus Line on Broadway. He worked with the biggest names on Broadway, including Andrew Lloyd Webber, Carol Burnett, Jennifer Holliday, Patti LuPone, Elaine Stritch, and Glenn Close.
Candid, witty, sometimes shocking, and always entertaining, here at last is the ultimate up-close and personal insider’s view from a front row seat at the creation of the biggest, brightest, and best Broadway musicals of the past fifty years.
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