Longing Distance

Longing Distance by Sarah Hannah, published by Tupelo Press in April 2004, is a collection of poetry that showcases the author’s distinctive voice and emotional depth. This edition spans 61 pages and is presented in English. The poems explore themes of longing and perception, delving into the complexities of human experience and the natural world, while employing various poetic forms to convey their messages.
Readers will find that the work engages with language and its relationship to the surrounding universe, reflecting on the interplay between sight and the almost-seen. The collection invites contemplation through its vivid imagery and intricate structures, as Hannah navigates the nuances of emotion with both vulnerability and determination. This debut collection highlights her ability to transform traditional forms into contemporary reflections, making it a noteworthy addition to the realm of modern poetry.
Official synopsis Publisher
This is an extremely moving work. I’m struck by her intelligence of emotion, and her unmistakable voice. These poems are at once determined, vulnerable, and fierce; she looks it all straight in the eye. Shadow and lover beware: these poems will fix you. Sarah Hannah is a true original. I love this book.””Annie Dillard
“”The distance of longing, the proximity of oblivion: the motives that animate these poems are the contours of perception in a mortal coil. Sarah Hannah is a physiologist of sight, devoutest scribe to the almost-seen, the intimated world, even, or especially, as that world is about to be lost. She is also a worker of wonders. See how, in her hands, the sonnet becomes an instrument of twenty-first-century meditation. See how the fish in the marketplace ‘in greens and ices swimming’ suddenly brings to life again the ‘river lined with briars.’””Linda Gregerson
“”Sarah Hannah’s poems are subtly alive to the many ways the natural world interpenetrates and informs and interprets human experience. But what impresses me most about them is their engagement with language itselfwords and the forms they assumeas the link between us and the circumambient universe. Her work says something at once new and very old, and something we badly need to hear.””James Olney
“”Astronomy, Renaissance literature, mythology, music, a love of wit and verbal play combined with a passion for form and scholarship resonate in this lively collection of poems that marks Sarah Hannah’s exciting debut. Whether she is negotiating Sapphics, syllabics, or sonnets, or contemplating “”the unperceived persistence/in the backward space of things…”” her skills fall gracefully under her sure and delicate control. This is a stunning first book.””Colette Inez
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