Irving Penn Centennial

Irving Penn Centennial by Maria Morris Hambourg, published by the Metropolitan Museum of Art on April 21, 2017, is a comprehensive exploration of the work of one of the most influential photographers of the twentieth century. This edition spans 371 pages and presents nearly 300 photographs, showcasing both iconic images and previously unpublished works. The book highlights Penn’s mastery of studio photography, characterized by a meticulous attention to composition and detail, while situating his artistic contributions within the broader social and political contexts of his time.
Readers will find a rich array of essays that delve into Penn’s diverse subjects, including portraits of cultural figures, fashion photography, and striking nudes. The volume also discusses his documentary work and the various themes he explored throughout his career, such as still lifes and the peoples of different cultures. Additionally, the book features insights into Penn’s advertising photography and his meticulous printing processes, making it a valuable resource for those interested in photography, individual photographers, and the evolution of artistic expression in the twentieth century.
Official synopsis Publisher
Irving Penn (1917-2009) was among the most esteemed and influential photographers of the twentieth century. Over the course of a nearly seventy-year career, he mastered a pared-down aesthetic of studio photography that is distinguished for its meticulous attention to composition, nuance, and detail. This indispensable book features one of the largest selections of Penn’s photographers ever compiled–nearly 300 in all–including famous and beloved images as well as works that have never been published.
Celebrating the centennial of Penn’s birth, this lavish volume spans the entirety of his groundbreaking career. An enlightening introduction situates his work in the context of the various artistic, social, and political environments and events that affected the content of his photographs. Lively essays acquaint readers with Penn’s primary subjects and campaigns, including early documentary scenes and imagery; portraits of cultural figures and celebrities; fashion; female nudes; peoples of Peru, Dahomey (Benin), New Guinea, and Morocco; and still lifes. Rounding out the book are discussions of Penn’s advertising pictures and his painstaking printing processes, as well as an illustrated chronology. Irving Penn: Centennialis essential for any fan of this artist’s work or of the history of twentieth-century photography.
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