The World Goes on

The World Goes On by László Krasznahorkai is a First Edition published by New Directions Publishing Corporation in 2017, featuring 311 pages in English. This work presents a narrator who initially speaks directly before unfolding eleven distinct stories, each exploring themes of existence and consciousness. The narratives traverse various settings, including the chaotic streets of Shanghai and the banks of the Ganges, as they delve into the complexities of human experience and perception.
Readers will encounter a diverse array of characters, such as a Hungarian interpreter captivated by waterfalls and a child laborer who escapes into a surreal world. The stories invite contemplation on the nature of reality and the passage of time, immersing readers in a rich tapestry of thought and narrative. The book’s exploration of fiction, sagas, and literary short stories offers a unique perspective on the human condition, making it a significant addition to contemporary literature.
Official synopsis Publisher
In The World Goes On, a narrator first speaks directly, then tells eleven unforgettable stories, and then bids farewell (“for here I would leave this earth and these stars, because I would take nothing with me”). As László Krasznahoraki himself explains: “Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative…” A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveler, reeling from the sights and sounds of Varanasi, encounters a giant of a man on the banks of the Ganges ranting on the nature of a single drop of water. A child laborer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils. The World Goes On is another amazing masterpiece by the winner of the 2015 Man Booker International Prize. “The excitement of his writing,” Adam Thirwell proclaimed in the New York Review of Books, “is that he has come up with this own original forms–there is nothing else like it in contemporary literature.”
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