1945 The War That Never Ended
1945 The War That Never Ended by Gregor Dallas, published by Yale University Press in January 2005, is a comprehensive history that explores the complexities surrounding the conclusion of World War II. This first edition spans 739 pages and is presented in English. Dallas meticulously details the conflicts, contradictions, and motives that characterized this pivotal moment in history, illustrating how these elements contributed to the emergence of the Cold War.
Readers will find a narrative that begins with the siege of Berlin and delves into the interactions among key figures such as Roosevelt, Churchill, and Stalin, as well as lesser-known individuals. The book presents a grand narrative filled with diplomatic missteps and military accidents, encouraging reflection on the forces that shape history. Through its exploration of military history and the intricate connections between public events and private passions, this work invites readers to consider the lasting impact of World War II on global relations.
Official synopsis Publisher
1945 is a monumental, multi-dimensional history of the end of World War II. Dallas narrates in meticulous detail the conflicts, contradictions, motives, and counter-motives that marked the end of the greatest military conflict in modern history and established lasting patterns of deceit, uncertainty, and distrust out of which the Cold War was born.
Beginning with the siege of Berlin, Dallas describes in simple human terms the interactions of Roosevelt, Churchill, Stalin, Hitler, Zhukov, Truman, de Gaulle, Macmillan, along with others relatively unknown, vividly portraying the interpenetration of the daily with the epochal, the obscure with the great political events taking place on the world stage. A grand narrative of diplomatic mistakes, military accidents, and the chaos inherent in human affairs,1945 draws the reader into a profound reflection on the basic shaping forces of history, the arbitrary ways we objectify its conflicts, and the subtle, almost invisible filaments that enmesh public events with private passions.
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